When we begin to preserve cultures, some of their essence dissipates, detracting the humanness of the language or tradition and replacing it with a nostalgic reverence of something that was, but is no longer tangible. It is for this reason that Richard Wolf, Professor of Music and South Asian Studies at Harvard University, believes in the continuous stimulation and cross-communication of Wakhi poets and musicians.

Read More: Music and Poetry of the Wakhan

In this essay (published in 2008), Alexander Djumaev considers Bukharian musical traditions as multi-cultural phenomena which demonstrate different types of syntheses – pre-Islamic and Islamic elements, inter-confessional cooperation and mutual influences of ethnic groups and peoples living in the city. Various factors, such as climatic conditions, traditional architecture and the inclination of its citizens towards musical entertainment, have influenced the development of traditional music in Bukhara. The main genres of musical art are considered in the framework of traditions of urban life. The author sees this trait of Bukharian culture and mentality as reflecting a duality: religiousness but also an intense love of secular pleasures in which music will always play an important role.

Read More: Musical Traditions and Ceremonies of Bukhara, by Alexander Djumaev