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~ This site brings together news stories, articles, photo essays, reviews, publications, conference proceedings, gallery events and exhibitions relating to the fields of Islamic art, architecture and archaeology.

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Author Archives: StudiesIslamica

Exhibition Celebrates History of Islam’s Second Holiest City

24 Monday Feb 2014

Posted by StudiesIslamica in Exhibitions - Middle East - Saudi Arabia

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Words and Illuminations

To celebrate the end of Medina’s year as Islamic Capital of Culture in 2013, the British Museum has helped organise an exhibition in the Saudi Arabian city that opened earlier this month. Since non-Muslims are not allowed to visit Medina, the show is held at the Meridian Hotel Complex, outside the forbidden zone. Words and Illuminations (until 9 May), is divided broadly into two parts, one showing contemporary Arabic calligraphy and the other historic photography.

Read More: Exhibition Celebrates History of Islam’s Second Holiest City

Government to Restore Red Fort’s Grandeur

24 Monday Feb 2014

Posted by StudiesIslamica in Heritage Sites - India

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Red Fort

With the Parliamentary Standing Committee on Transport, Tourism and Culture criticising the Ministry of Culture for failing to renovate the iconic monument where the Prime Minister unfurls the National Tricolour on Independence Day, the Archaeological Survey of India has decided to make efforts to renovate the Red Fort in such a manner that the earlier grandeur of the Mughal-era is revived.

Read More: Government to Restore Red Fort’s Grandeur

Arabic Calligraphy Meets Semiotics

21 Friday Feb 2014

Posted by StudiesIslamica in Exhibitions - Middle East - Lebanon

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Arab visual art

Arab Visual Art, the exhibition now up at Gemmayzeh’s 392Rmeil393 Gallery, is comprised of 20-odd word-based, Plexiglas works, whose shapes matter as much as the meaning of the words themselves. “Each work is a poem,” artist Rola Haidar told The Daily Star. “It has a meaning and a philosophy.” Haidar’s work is indebted to classical Arabic calligraphy, obviously, but also European linguistics.

Read More: Arabic Calligraphy Meets Semiotics

A Handbag? Courtauld Gallery Opens up Identity of 700-year-old Treasure

20 Thursday Feb 2014

Posted by StudiesIslamica in Exhibitions - United Kingdom

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The Courtauld Gallery's handbag

Over the years it’s been identified as an oriental box, a work basket, a document wallet and even a saddle bag. Now London’s Courtauld Gallery confidently believes one of its most prized possessions is really a 700-year-old handbag – probably the oldest in existence.

Read More: A Handbag? Courtauld Gallery Opens up Identity of 700-year-old Treasure

Five Centuries of Indian Jewellery History to Exhibit in Moscow

19 Wednesday Feb 2014

Posted by StudiesIslamica in Exhibitions - Russia

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Indian jewellery exhibition

An exhibition entitled – India: Jewels that Enchanted the World, will celebrate the history and grandeur of India’s craft in jewellery making. This exhibit is a joint effort between The State Museums of Moscow Kremlin and the Indo-Russian Jewellery Foundation, founded by diamond and jewellery connoisseur Alex Popov. It is being organised at the State Museums of Moscow Kremlin from 12 April to 27 July 2014.

Read More: Five Centuries of Indian Jewellery History to Exhibit in Moscow

Vanishing Slab by Slab

18 Tuesday Feb 2014

Posted by StudiesIslamica in Heritage Sites - India

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New Delhi monuments

Delhi’s glorious heritage is fast getting eroded because of rampant despoliation, encroachment, urbanisation and neglect. Nawab Dojana’s haveli, known as Dojana House in Matia Mahal is now a flatted building which is already showing signs of deterioration. Haveli Sadr Sadur, bang opposite it, has been so encroached upon and rebuilt in parts that it is hard to recognise it. The haveli of Nawab Buddan, said to be a great fashion trendsetter, could not be traced perhaps because of alterations. The old hamam in the same street, which had become a shop, is also not easily recognisable. The building behind Jama Masjid associated with Dara Shikoh has become a school.

Read More: Vanishing Slab by Slab

Under the Spell of Yoga

17 Monday Feb 2014

Posted by StudiesIslamica in Exhibitions - North America - Reviews

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Under the spell of Yoga

Around 1600, a dramatic shift took place in Mughal art. The Mughal emperors of India were the most powerful monarchs of their day — at the beginning of the seventeenth century, they ruled over a hundred million subjects, five times the number administered by their only rivals, the Ottomans. Much of the painting that took place in the ateliers of the first Mughal emperors was effectively dynastic propaganda, and gloried in the Mughals’ pomp and prestige. Illustrated copies were produced of the diaries of Babur, the conqueror who first brought the Muslim dynasty of the Mughal emperors to India in 1526, as well as exquisite paintings illustrating every significant episode in the biography of his grandson, Akbar.

Read More: Under the Spell of Yoga

Afghan Box Cameras: How Street Photographers Captured a Nation

16 Sunday Feb 2014

Posted by StudiesIslamica in Photography - Afghanistan

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afghan 1

Roving street photographers and studio portraitists in Afghanistan have been using the big, box-shaped wooden camera known as the kamra-e-faoree since the early 1950s. Their trade has survived the Soviet invasion of 1979, the civil war that followed it, Taliban rule in the 1990s and the invasion by America and the allies in 2001. Now, though, the rise of digital technology in Afghanistan is doing what wars, invasions and fundamentalist tyranny have failed to do – the age of the kamra-e-faoree is almost over.

Read More: Afghan Box Cameras

Post-revolutionary Iranian Art at the SOAS

13 Thursday Feb 2014

Posted by StudiesIslamica in Exhibitions - United Kingdom - Reviews

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Post-revolutionary Iranian art

After a long political freeze between Iran and the UK, a cultural entente is quietly under way in London with the launch of Recalling the Future: Post-revolutionary Iranian Art, at the School of Oriental and African Studies (SOAS). Four curators including Hamed Yousefi, an Iranian culture critic, and David Hodge, a London-based art historian, have presented trends, ideas and techniques shaping the Iranian art scene today through the works of 29 established, emerging and late artists.

Read More: Post-revolutionary Iranian Art at the SOAS

Arab American Museum Shows Arab Spring Protest Art

12 Wednesday Feb 2014

Posted by StudiesIslamica in Exhibitions - North America

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Creative Dissent exhibition

In many countries throughout the Middle East and North Africa, walls and buildings became the canvas for street art during the Arab Spring uprisings that began in 2011 and gave protestors a platform. A collection of protest artwork is just one part of the exhibit called Creative Dissent at the Arab American Museum in Dearborn, Michigan. The exhibit also explores how digital technology has changed the way some expressions of protest are created and disseminated.

Read More: Arab American Museum Shows Arab Spring Protest Art

Abdul Latif Jameel to Build SR100 Million Arts Center

12 Wednesday Feb 2014

Posted by StudiesIslamica in Arts - Building Projects

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Abdul Latif Jameel Project

Abdul Latif Jameel Community Initiatives (ALJCI) plans to build a SR100 million center for artists and art lovers in Jeddah. An international architectural firm is currently designing the “Beyt Jameel” or “Art Jameel” project over 7,000 square meters, which would feature an exhibition space specifically for the work of artists who entered the Jameel Prize, an Islamic arts contest, and local and international exhibitions.

Read More: Abdul Latif Jameel to Build SR100 Million Arts Center

Dallas Museum of Art Makes a Great Leap with the Keir Collection

11 Tuesday Feb 2014

Posted by StudiesIslamica in Collectors - United Kingdom, Museums - North America

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Keir Collection in Dallas 3

Last week, the Dallas Museum of Art announced that over the next year it will be taking delivery of containers filled with richly colored carpets and delicate textiles, gleaming lusterware and carved rock-crystal, finely wrought metalwork and folios from illustrated manuscripts, intricately decorated book bindings and splendid calligraphy. The almost 2,000 pieces, created from the eighth through 19th centuries from across the Muslim world, will begin arriving in May from London, where Edmund de Unger (1918-2011) collected and lived with them, treasuring them for their beauty and the knowledge they embodied.

Read More: Dallas Museum of Art Makes a Great Leap with the Keir Collection

See also: Dallas Museum of Art Adds Major Collection of Islamic Art

‘Persian Visions’ Photography from Iran Goes on Display at DPU Peeler Center

11 Tuesday Feb 2014

Posted by StudiesIslamica in Exhibitions - North America, Photography - Iran

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Persian Visions 2

Persian Visions: Contemporary Photography from Iran, an exhibition of 58 works of photography and video installations by 20 of Iran’s most celebrated photographers, will be on view at DePauw University’s Richard E. Peeler Art Center beginning February 10th, 2014. The exhibition, which is free and open to the public, will continue through May 8th. It gathers personal perspectives of contemporary Iran filtered through individual sensibilities, which simultaneously addressing public concerns.

Read More: ‘Persian Visions’ Photography from Iran Goes on Display at DPU Peeler Center

See also: Persian Visions: Contemporary Photography from Iran

Zaha Hadid: I’m Possessed by Curiosity

10 Monday Feb 2014

Posted by StudiesIslamica in Architects

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Zaha Hadid 2

Born in Baghdad to Iraqi parents, British architect Zaha Hadid left Iraq for the American University of Beirut at the age of 17. She subsequently trained as an architect in London, which later became her home. Despite a decorated career in her field since opening her own practice in 1980, she initially had to wait six years to see one of her designs make the transition from the drawing board to the physical world. Today, she had designed buildings around the world, in Europe, Asia, the Middle East and the Americas, winning a slew of awards, including the Pritzker Prize, the most prestigious in modern architecture, in 2004.

Read More: Zaha Hadid: I’m Possessed by Curiosity

See also: Zaha Hadid and the 21st-century Museum

Archnet.org 2.0: Leading Website on Architecture, Design and Conservation Issues in the Muslim World Relaunched

07 Friday Feb 2014

Posted by StudiesIslamica in Architecture - Websites

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Archnet

After ten years as the premiere online resource for the study of material and visual culture in Islamic societies, Archnet has been re-imagined and restructured. The new Archnet — a collaboration between the Aga Khan Trust for Culture and the Aga Khan Documentation Center at MIT Libraries — is a portal to rich and unique scholarly resources featuring thousands of sites, publications, images, and more focused on architecture, urbanism, environmental and landscape design, visual culture, and conservation issues related to the Muslim world.

Read More: Archnet.org

Go to: http://www.archnet.org/

Experts Rally to Save Egypt’s Heritage Amid Unrest

07 Friday Feb 2014

Posted by StudiesIslamica in Conservation - Egypt, Museums - Middle East - Egypt

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Islamic Museum Cairo 6

In late January, a car bomb targeting the Cairo police headquarters damaged a number of antiquities housed across the street at the Museum of Islamic Art. This was far from the first time that Egypt’s cultural heritage has suffered from the security problems plaguing the country since the revolution. This time around, however, a volunteer brigade of antiquities experts was standing ready to jump in.

Read More: Experts Rally to Save Egypt’s Heritage Amid Unrest

See also: Triage for Treasures After a Bomb Blast

Old Manuscripts Get Face-Lift at Jerusalem Mosque

06 Thursday Feb 2014

Posted by StudiesIslamica in Manuscripts - Jerusalem

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Al-Aqsa mosque library

In the 1920s, an urgent call went out to the literati across the Middle East from Arab leaders in Jerusalem: Send us your books so that we may protect them for generations to come. Jerusalem was soon flushed with writings of all kinds, to be stored and preserved at the newly minted al-Aqsa mosque library. But many of those centuries-old manuscripts are in a state of decay. Now religious authorities are restoring and digitizing the books, many of them written by hand. They hope to make them available online to scholars and researchers across the Arab world who are unable to travel to Jerusalem.

Read More: Old Manuscripts Get Face-Lift at Jerusalem Mosque

Another Hit on Egypt

05 Wednesday Feb 2014

Posted by StudiesIslamica in Museums - Middle East - Egypt

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Islamic Museum Cairo 5

For good reason, the man in charge on the ground sounds profoundly tired, and angry, over the phone. Ahmed Sharaf, the chief of museums at Egypt’s Antiquities Ministry, is taking stock of the latest heritage catastrophe to strike his country, yet another in the region’s tragic tally of such events in recent years. He has strong feelings about the truck bombing that severely damaged Cairo’s Museum of Islamic Art at about 7 a.m. on Jan. 24. Intended for the police headquarters nearby, it killed four people, injured 76 and sent a storm of debris through the museum, shattering windows and glass cases and wrecking priceless objects.

Read More: Another Hit on Egypt

See also: Triage for Treasures After a Bomb Blast

Photographing the Arab City in the 19th Century

05 Wednesday Feb 2014

Posted by StudiesIslamica in Exhibitions - North America, Photography - Middle East

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Photographing the Arab city

In the 19th century, the East represented the realm of exoticism, fantasy and mystery. Literature and painting in particular used the lands beyond Europe as canvases for fertile explorations of the unknown and unlimited boundaries for imagination. By the latter half of the century, however, several pioneer photographers travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic.

Read More: Photographing the Arab City in the 19th Century

Dallas Museum of Art Adds Major Collection of Islamic Art on Long-Term Loan

04 Tuesday Feb 2014

Posted by StudiesIslamica in Collectors - United Kingdom, Museums - North America

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Keir Collection in Dallas 2

One of the world’s largest private holdings of Islamic art will come to the Dallas Museum of Art on loan in May, museum officials announced Monday [February 3rd]. The loan, described as renewable in 15 years, will transform the museum’s Islamic art collection into the third largest of its kind in North America, according to DMA officials. “We are deeply grateful to the collection’s trustees for entrusting us with this unparalleled collection, which will enhance the DMA’s growing strengths in the area of Islamic art,” DMA director Maxwell Anderson said in a prepared statement.

Read More: Dallas Museum of Art Adds Major Collection of Islamic Art

See also: Dallas Museum Lands a Rich Trove of Islamic Art

Dallas Museum Lands a Rich Trove of Islamic Art

04 Tuesday Feb 2014

Posted by StudiesIslamica in Collectors - United Kingdom, Museums - North America

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Keir Collection in Dallas

While Texas may have the fifth largest Muslim population in the United States by some estimates, its public art collections have only recently begun to reflect the 14-century sweep of Islamic history. But on Friday [31st January], with the stroke of a pen — sealing a complex agreement hashed out over months — the Dallas Museum of Art will become the long-term custodian of one of the most important collections of Islamic art in private hands.

Read More: Dallas Museum Lands a Rich Trove of Islamic Art

Islamic Museum of Australia Opening in Thornbury Next Month

04 Tuesday Feb 2014

Posted by StudiesIslamica in Museums - Australia

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Islamic Museum of Australia

Australia’s first Islamic museum is attracting huge interest from schools more than a month before opening its doors in Thornbury early next month. The $10 million Islamic Museum of Australia will open its doors to the public and school groups on March 3rd. Education director Sherene Hassan said more than 30 schools from throughout Victoria, as well as Tasmania and South Australia, had contacted the museum to organise a tour.

Read More: Islamic Museum of Australia Opening in Thornbury Next Month

Exiled Iranian Artist Shirin Neshat Looks at the Egyptian Revolution

03 Monday Feb 2014

Posted by StudiesIslamica in Artists - Iran

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Shirin Neshat 5

Shirin Neshat is an Iranian visual artist who was born in Qazvin, Iran, educated in Berkeley, California and is currently based in New York. Her earliest work as a photographer was born out of a trip back to Iran in 1993 where she explored concepts of exile and identity under a feminine lens. In the late nineties, she devoted herself to a series of stark, black and white video installations that referenced contradictions of gender in society. Breaking away from photography, she turned to cinema and directed her first feature-length film, “Women Without Men,” which won the 2009 Venice Film Festival Silver Lion award for best directing. Most recently, Neshat was honored by the World Economic Forum in Davos, Switzerland with a 2014 Crystal Award. The award is given annually to artists who have made contributions to improving the state of the world.

Read More: Exiled Iranian Artist Shirin Neshat Looks at the Egyptian Revolution

Saudi Arabia as Hub of the Middle East Art Scene This Week: Surprised?

02 Sunday Feb 2014

Posted by StudiesIslamica in Festivals - Saudi Arabia

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Jeddah Art Week

A decade ago, there were green shoots of activity in Saudi Arabia’s contemporary art scene, but two major art festivals embracing the country’s artistic heritage, with a focus on contemporary art, would have been unthinkable. Now, two cultural festivals are taking place in Jeddah, with Saudi Arabia staking its claim to be a new Middle Eastern arts hub.

Read More: Saudi Arabia as Hub of the Middle East Art Scene This Week: Surprised?

Triage for Treasures After a Bomb Blast

01 Saturday Feb 2014

Posted by StudiesIslamica in Museums - Middle East - Egypt

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Islamic Museum Cairo 4

A man in a white lab coat sat alone among piles of blown-off ceiling, mangled metal and splintered wood here on Thursday inside the Museum of Islamic Art — home to a world-renowned collection that covers centuries of art from countries across the Islamic world. He carefully separated ochre-tinted pieces of old glass from the clear shards of modern showcases.

Read More: Triage for Treasures After a Bomb Blast

See also: Art Enthusiasts Mourn Loss of Islamic Artefacts in Cairo Bomb Blast

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