Mounir Fatmi looks utterly exasperated. But there is a question I must ask. Last year, the Moroccan-born, France-based artist had one of his works removed from display in Toulouse when certain religious groups took exception to his use of the Quran in the piece. Shortly afterwards, Paris’ Institut du Monde Arabe censored a video called Sleep (Al Naim) because it depicted Salman Rushdie. So does Fatmi willfully chase headlines?

Read More: Mounir Fatmi’s Art Without Prejudice