More than a millennium after rudimentary forms of the violin came to India from his ancestral land, Ibrahim Quraishi has lent another dimension to the aesthetics of the string instrument by featuring it in the country’s first biennale. At Pepper House, the artist of Uzbek-Yemeni descent, has hung tastefully from a tile-roof ceiling a long row of 30 white violins which has caught the fancy of visitors.

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