Central Asia: Photographer’s “White Road” Exposes Life in White, Black, Shades of Gray

Murghab, Tajikistan, 2003Anyone who’s traveled in the vast open spaces of Central Asia has heard it, or seen it plastered on roadside monuments punctuating long stretches of highway: Ak Jol in Kazakh and Kyrgyz and Oq Yol in Uzbek. “White Road.” It means something like “safe journey” or “have a good trip.” The refrain, which is the title of this new book, marks the places in-between, the places where photographer Ivan Sigal found himself constantly between 1998 and 2005 – a traveler in a region on the move, a region searching for work, and meaning, in a vacuum as wide as the steppe.

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Shooting a Film in Afghanistan Takes Courage, Creativity, and a Dead Goat

Buzkashi BoysAmerican films about Afghanistan have had a good run at the Oscars lately. Both 2011’s Hell and Back Again and 2010’s Restrepo earned Best Documentary nominations for their harrowing looks at troops under fire. And this year, another U.S.-directed film on Afghanistan is in the hunt for a nod from the Academy Awards, but it’s fictional, it’s not about war, and it doesn’t feature any Americans. It is, however, the first of its ilk to feature dead livestock in a central role. Buzkashi Boys, one of eleven live-action short films to make the Academy’s short list, is the scripted tale of two boys in Kabul who dream of playing the Afghan national sport of buzkashi, which is kind of like polo, played atop horses, but with a headless, disemboweled goat carcass as the ball.

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Tale of the Tile: A New Publication on the Ceramic Traditions of Pakistan

Tale of the TileOn the surface, Tale of the Tile: The Ceramic Traditions of Pakistan is simply an exploration of ceramic architectural embellishment, an art form that is slowly fading into obscurity. However, a closer study reveals that amidst the glossy pages filled with nearly five hundred striking photographs, Abdul Hamid Akhund and Nasreen Askari have skillfully woven in threads of deeper social commentary.

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New Publication Explores the Legacy of the Kashmir Shawl

Kashmir Shawls bookSaffronart, India’s leading auction house for art and collectibles hosted the launch of the book Kashmir Shawls: The TAPI Collection, authored by internationally reputed textile scholars Steven Cohen, Rosemary Crill, Monique Lévi-Strauss and Jeffrey B. Spurr. This book is the latest in a series of publications based on the TAPI Collection’s important holdings of historic Indian textiles.

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Tate Modern to Present Major Exhibition of Sudanese Artist Ibrahim el-Salahi

Ibrahim el-SalahiFrom July 3rd to September 22nd, 2013, Tate Modern will present the UK’s first major exhibition of Sudanese artist Ibrahim El-Salahi (b. 1930). Bringing together 100 works from across more than five decades of his international career, this retrospective will highlight one of the most significant figures in African and Arab Modernism, and reveal his place in the context of a broader, global art history.

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From Bangladesh, a Photo Festival Builds Bridges

Photography Festival BangladeshThere are well over a hundred photo festivals around the world, and new ones pop up almost daily. Many claim to be international, usually exhibiting a few local photographers alongside some international — read Western — photographic luminaries. What sets apart the Chobi Mela International Festival of Photography in Dhaka, Bangladesh, is that it is not only truly international, but is also perhaps the world’s most demographically inclusive festival. Running this year from January 25th through February 7th, it will feature photographers from 23 countries, with a focus on photography from China, Russia, Nigeria, Latin America and the Middle East as well as Bangladesh.

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Masked Faces, Censored Hopes: An Interview with Shurooq Amin

Shurooq AminShurooq Amin is a Kuwaiti-Syrian artist, poet, and professor at Kuwait University. In two recent art exhibitions, It’s a Man’s World and Society Girls, Amin has explored themes of gender, identity, duality, religion, and hypocrisy in Middle Eastern and Arab societies. Her colorful mixed-media tableaux depict Kuwaitis in trendy clothes lounging, smoking hookah, and playing cards, their faces all eerily erased.

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Islamic Art from the al-Sabah Collection at the Museum of Fine Arts, Houston

Al-Sabah CollectionIslamic masterworks from Kuwait’s renowned al-Sabah Collection will be exhibited, beginning January 26th 2013, at the Museum of Fine Arts, Houston as part of a long-term collaboration with the cultural institution Dar al-Athar al-Islamiyyah (DAI). The privately held al-Sabah Collection is one of the greatest collections of Islamic art in the world, and the partnership initiates a historic exchange of objects, staff, and expertise.

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Exhibition on Contemporary Islamic Art at Galeri Petronas

Galerie Petronas exhibitionGaleri Petronas’ latest exhibition aims to shed light on the beauty and richness of local contemporary Islamic artworks. Themed Islamic Impressions in Malaysian Contemporary Art, this art exhibition, on display until February 17th, 2013 evokes a sense of spiritual contemplation of the oneness of God or Tawhid, the very basis of the Islamic faith.

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Da’ira: Praising Allah In A Unique Way

Daira musicDa’ira is a popular musical sub-genre of Zikri, literally, remembrance of Allah’s name. Mairo Muhammad Mudi saw the Gorar Faila Band performing Da’ira at a wedding ceremony and reports that the unique feature of this Islamic praise worship is the production of melodic rhythm by the singers beating their chests and thighs with their open palms.

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Ya’koob and Humble Abdul: Kuwaiti Brothers Blend Arabic Flavor with Rap

Kuwaiti Brothers“Rap actually stands for ‘Rhythm and Poetry’. It is a way of expressing yourself. You can use it in a negative or a positive way. It is up to the writer really. I guess we can call it modern day poetry,” say Ya’koob and Humble Abdul, two Kuwaiti brothers who have taken rap and hip-hop music to a different level in a country like Kuwait, trying through their music to deliver a positive image regarding Islam and Arabs.

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Mali Music Ban by Islamists ‘Crushing Culture to Impose Rule’

Tinariwen band performing, JohannesburgNowhere does music have a greater social and political importance than in the vast desert state of Mali. It is shocking, therefore, that it has been banned across much of the two-thirds of Mali currently controlled by Islamic rebel groups. As “Manny” Ansar, the director of the country’s celebrated Festival in the Desert, which has now been forced out of the country, explained: “Music is important as a daily event. It’s not just a business, for it’s through our music that we know history and our own identity.”

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The Fading Notes: Zar is on the Verge of Extinction in Egypt

Zar PerformanceConsidered a healing rite, the Zar is one of the only forms of traditional Egyptian music where women play the lead role. It is an energetic, polyrhythmic style of music originating from the border between Egypt and Sudan, and it possesses a distinctly African sound. Though it is still practised in East Africa and some Gulf countries, in Egypt the Zar is on the verge of extinction.

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