Dubai ruler Sheikh Mohammed bin Rashid Al Maktoum on Monday issued directives to transform the emirate’s metro stations into art museums. Sheikh Mohammed said metro stations should display artworks and creations from different themes and cultures in an effort to make art accessible to as many people as possible in Dubai. He said the project should be completed within 12 months and will be launched to coincide with the start of Art Dubai 2015. Phase one of the project will include transforming four vital metro stations into art museums.
On the international entertainment circuit of Asia, Malaysia’s position has been slipping consistently. Somehow, all the big acts seem to have a homing instinct for Singapore, missing out on the fun hub of the peninsula. Instead of waiting for visiting cultural emissaries to arrive, residents of the Klang Valley should see which eagles of the arts have already landed. Contrary to expectations, some of the most important names in international contemporary art are comfortably settled in Kuala Lumpur.
Read More: Glorious Calligraphy
A rare and early Iznik pottery bowl dated around 1510 from Turkey’s Ottoman Empire has sold for over £1.4 million at auction. The white bowl decorated in two shades of blue with Cyprus trees and cartouches was sold by Christies in London to an anonymous bidder setting a new auction record for Iznik pottery.
An important painting of a Great Indian fruit bat or flying fox (Pteropus giganteus) with its 1.5 meter wingspan sold for £458,500 at Bonhams Islamic and Indian Art sale in London yesterday [8th April]. The sale achieved a total of £4.5 million. This pen and ink, watercolor with gum arabic, heightened with bodycolour, on watermarked paper, from the Calcutta Collection of Lady Impey and painted by the artist Bhawani Das, had been estimated to sell for £80,000-£120,000, but its final price was four times higher than expected.
The magnificent and extremely rare life-size Qajar royal portrait of Fath ‘Ali Shah attended by a prince, attributed to Mihr ‘Ali, circa 1820 CE, sold for £2,994,500 (inclusive of buyers premium) at Sotheby’s ‘Arts of the Islamic World’ auction today [9th April 2014]. A round of applause greeted the fall of the hammer at £2.6 million, a bid executed by Edward Gibbs, Head of Department, and Chairman, Middle East & India, acting on behalf of an anonymous telephone buyer.
Read More: Royal Portrait of Fath ‘Ali Shah
Bonhams will sell three stunning images from The Fraser Album, discovered amongst the papers of this Scottish family in 1979, at its next auction of Indian and Islamic art on 8 April 2014 in London. The Album consists of more than ninety watercolours of breathtaking quality, which provide an extraordinary portrait of life in and around Delhi in the early 19th Century. This was an area which was relatively unknown to the British at that date, with Mughal control ceded to them only in 1803 and the Emperor nominally in power.
One of the most inspiring sights for William Greenwood unfolds when he walks into the exhibition that he has put together, right after an uproarious batch of school children makes its way out. The young and rather genial curator at the Museum of Islamic Art [Doha], in charge of Kings and Pawns: Board Games from India to Spain that opened recently to warm response, lets out a chuckle when he muses over the sight. “At about my waist height, the glass cases are just covered in their hand prints, nose prints and face prints. I really love to see that. I think that’s a really good sign,” he says, referring to the many schools that have been keenly paying visits in the mornings, “I hope children find this exhibition fascinating.”
Read More: “I Am Interested in Simple Ideas”
The Arts of the Islamic World auction to be held at Sotheby’s, London, on April 9th 2014 is led by a magnificent Qajar royal portrait of Fath ‘Ali Shah. Estimated at £1,500,000 – £2,500,000, this life-size portrait is one of sixteen that are recorded, of which only four are present in Western museum collections. Fath ‘Ali Shah was the pre-eminent Qajar emperor of Persia and, as a key patron of the arts, he commissioned a number of monumental portraits, using these images as tools of propaganda, immortalising his rule. This painting is attributed to Mihr ‘Ali, one of the preferred painters of the Qajar court.
Persian first gained prominence a thousand years ago, a language of literature, poetry and folklore that connected people across vast stretches of Asia, Eastern Europe and the Middle East. The Library of Congress today [March 27, 2014] opens A Thousand Years of the Persian Book, the first major U.S. exhibition to make such a wide-ranging study of the Persian language and literature. The landmark exhibition features 75 items drawn primarily from the Persian collection of the Library’s African and Middle Eastern Division, one of the most important such collections assembled outside of Iran.
Read More: A Millennium of Persian Literature
From March 30 through June 29, 2014, the Dallas Museum of Art will host Nur: Light in Art and Science from the Islamic World. The DMA is the only venue outside of Europe to host this international touring exhibition of Islamic art and culture co-organized by the DMA and the Focus-Abengoa Foundation. Critically acclaimed by such publications as The Financial Times and the International New York Times when it premiered in Seville, Spain in October, Nur: Light in Art and Science from the Islamic World spans more than ten centuries and features 150 works of art and objects from public and private collections in Europe, North Africa, the Middle East, and the United States.
In assembling Art Amongst War: Visual Culture in Afghanistan, 1979-2014, the current exhibition at the College of New Jersey Art Gallery, Deborah Hutton discovered works that evoked feelings ranging from dismay to guarded hope. But Dr. Hutton, the curator of the show and an associate professor of art history at the college, also expects visitors to react with surprise. Not just at what is portrayed in the pieces, but that the art, which will be on display through April 17, even exists.
Read More: Despite Conflict and Repression, Creativity
When officials from Tehran municipality broke into the house of Iran’s most celebrated visual artist to remove works they claimed were city property, they carelessly put chains around the unwrapped bronze sculptures and lifted them with cranes. The raid on the home of Parviz Tanavoli – which damaged and broke artworks worth millions of pounds – was rooted in a decade-long dispute between the artist and the local government, but has now been dragged into a rivalry between the mayor of Tehran and the president, Hassan Rouhani.
Rare arts from the Islamic World including a map of nineteenth century Mecca and an Ottoman metal-thread curtain are to be auctioned. Sotheby’s Arts of the Islamic World sale [on April 9th, 2014] will bring to the market an exquisite selection of paintings, manuscripts, textiles, ceramics, weaponry and rugs. Spanning over 1000 years, these objects offer a remarkable testimony to the astonishing scope of artistic production in the lands under Islamic patronage from Spain to China.
For an encyclopedic museum, it’s something of a feat that the Dallas Museum of Art has gone 111 years without hosting a major exhibition of Islamic art. It has been nearly 40 years since the museum has hosted even a small Islamic art exhibition. That changes this month with Nur: Light in Art and Science From the Islamic World. But don’t expect that to be mentioned on the promo poster.
Islamic geometric artwork, tile work, parquetry and illumination are considered a very rare form of art nowadays. It’s considered an old art haven used during the peak age of the Islamic Empire centuries ago when they studied the beauty of things and have since did all they could to study and perfect their handwork. Architects and artists alike studied math and geometry and explored that world and have thus created masterpieces found all over the Islamic world.
Read More: Dana Awartani
The 18th century brass astrolabe, an instrument for measuring movements of the Moon and stars, was engraved by maker Haji Ali in Latin and Arabic, but Hebrew characters are also faintly visible. For Dr Henry Kim, the director and chief executive of the new Aga Khan Museum, this object is redolent of a more tolerant age about which we may have forgotten. “What people often find surprising about art and artefacts from the Islamic civilisation is their secular nature, and how often they embraced all religions and different facets of cultures,” Dr Kim says.
There’s a widespread fascination with tracking the fate of a human contrivance across centuries and regions — mapmaking, prayer rituals, the use of salt, and the like. The ways such ideas and inventions change, where they pop up and why, open unexpected windows onto the social pageant of our species. Carpets of the East in Paintings From the West, a little gem of a show at the Metropolitan Museum of Art, taps into that fascination as it examines artistic cross-pollination between three types of 17th-century Oriental carpets and three Dutch paintings of the same era.
Read More: From Rugs to Riches
Sabiha al-Khemir was visiting a solar energy plant in Spain about four years ago when inspiration struck. Her host, the foundation of a Spanish company with interests in alternative energy, wanted her to conceive an Islamic art exhibition for Seville to recognize Spain’s 800-year history under Moorish rule and ideally to tie her concept into the Seville-based company’s work. Touring the solar plant, the Tunisian-born curator found her organizing principle. “It was an incredible experience,” Ms. Al Khemir, 55, recalled. “Light was everywhere.”
One of the most important events in Istanbul to commemorate the anniversary of 600 years of diplomatic relations between Turkey and Poland is the Distant Neighbour, Close Memories exhibition, which opened at the Sakıp Sabancı Museum last Friday [March 7th, 2014]. As the museum’s director, Dr Nazan Ölçer put it, ‘The documents, maps, paintings, personal possessions, trade goods, textiles, weapons, armour, costumes and ceramics on display aim to act as reminders of the memories that have been created between the two countries in the past 600 years.’
Read More: Eastern Memories
A fascinating exhibition on display at the Chamber of the Scrutinio in the Doge’s Palace in Venice traces the history of diplomatic relations between the Republic of Venice and the Safavid Persia under the rule of Shah Abbas the Great (1587–1629). The show specifically highlights the gifts exchanged between the two powers from 1600 until the end of the Shah’s reign.
Read More: Gifts from the Shah
Once the residence of Ottoman crown princes, including the last caliph Sultan Abdulmajid, the Dolmabahce Palace in the Besiktas district of Istanbul is now a museum displaying paintings from artists around the world, including Italian artists Fausto Zonaro and Luigi Acquarone and Polish artist Stanislaw Chlebowsk. After seven years of restoration and renovation, the palace is to be open to the public from March 22 and is the only one in Turkey dedicated to ‘Late Ottoman Life’ in the 19th century.
To arrange a meeting with a close friend of your great-great-grandfather in order to learn about his life is one of the opportunities which is nearly impossible to seize in your lifetime, even though many of us have a deep thirst to obtain knowledge about the past experiences of our relatives. But now, a similar experience awaits both Turkish and Polish citizens in İstanbul’s Sakıp Sabancı Museum (SSM) which is presenting its most recent historical exhibition, Distant Neighbor, Close Memories: 600 Years of Turkish-Polish Relations, from March 7th to June 15th, 2014.
A stork wheels over the ancient mosque, flying solo in a sky of seamless blue. Circling lower it executes a seemingly impossible landing on a nest precariously perched atop the minaret. Far below, the Tigris is flowing lazily towards Iraq, its sparkle extinguished by the lengthening shadow cast by cliff and citadel. This is Hasankeyf, fortress of rock, in Anatolia, Turkey’s far east. Dug into the southern slopes of the Raman mountains, the small town has for millennia guarded the river crossing, though perhaps not for much longer. “It is a jewel of history,” says my guide, Remzi Bozbay. “Soon it will become sunken treasure.”
The Metropolitan Museum of Art has announced that it will house a new exhibit, Carpets of the East in Paintings from the West, featuring 17th-century Islamic carpets alongside depictions in Dutch paintings from March 11 – June 29 at The Hagop Kevorkian Fund Special Exhibitions Gallery, Gallery 458. As early as the 14th century, images of carpets woven in the East-primarily in the areas constituting present-day Turkey and Iran-began to appear in European paintings.
A special exhibit that was featured five years ago at the Ontario Science Centre has returned with new features, more interactive displays, and plenty to do for all ages. Sultans of Science: 1,000 Years of Knowledge Rediscovered opened Friday, March 7, and will run until June 7, 2014 for visitors to learn about the important scientific and technological discoveries made by scholars during the Golden Age of Islamic Science.